ONE:Aristotle even goes so far as to eliminate the notion of sequence from causation altogether. He tells us that the causes of events are contemporary with the events themselves; those of past events being past; of present events, present; and of future events, future. This thing will not be because that other thing has happened, for the middle term must be homogeneous with the extremes.282 It is obvious that such a limitation abolishes the power of scientific prediction, which, if not the only test of knowledge, is at any rate its most valuable verification. The Stagirite has been charged with trusting too much to deductive reasoning; it now appears that, on the contrary, he had no conception of its most important function. Here, as everywhere, he follows not the synthetic method of the mathematician, but the analytic method of the naturalist. Finally, instead of combining the notions of cause and kind, he systematically confuses them. It will be remembered how his excellent division of causes into material, formal, efficient, and final, was rendered nugatory by the continued influence of Platos ideas. The formal cause always tended to absorb the other three; and it is by their complete assimilation that he attempts to harmonise the order of demonstration with the order of existence. For the formal cause of a phenomenon simply meant those properties which it shared with others of the same kind, and it was by virtue of those properties that it became a subject for general reasoning, which was interpreted as a methodical arrangement of concepts one within another, answering to the concentric disposition of the cosmic spheres.
FORE:"You have given me some valuable clues," he said. "In the first place we now know the real name of the murdered man. Strange that it should be the same as the fascinating Countess! And stranger still that our brilliant adventuress did not call herself something else when she engineered herself into society. But probably that is part of the reckless audacity of her nature. It was very foolish, because it clogs up the brains of a man like myself who has knocked about artistic and theatrical London for so long. And I distinctly recollect a Lalage, a dancer, who made a hit at the halls some seven or eight years ago."Socrates was, before all things, an Athenian. To under126stand him we must first understand what the Athenian character was in itself and independently of disturbing circumstances. Our estimate of that character is too apt to be biassed by the totally exceptional position which Athens occupied during the fifth century B.C. The possession of empire developed qualities in her children which they had not exhibited at an earlier period, and which they ceased to exhibit when empire had been lost. Among these must be reckoned military genius, an adventurous and romantic spirit, and a high capacity for poetical and artistic productionqualities displayed, it is true, by every Greek race, but by some for a longer and by others for a shorter period. Now, the tradition of greatness does not seem to have gone very far back with Athens. Her legendary history, what we have of it, is singularly unexciting. The same rather monotonous though edifying story of shelter accorded to persecuted fugitives, of successful resistance to foreign invasions, and of devoted self-sacrifice to the State, meets us again and again. The Attic drama itself shows how much more stirring was the legendary lore of other tribes. One need only look at the few remaining pieces which treat of patriotic subjects to appreciate the difference; and an English reader may easily convince himself of it by comparing Mr. Swinburnes Erechtheus with the same authors Atalanta. There is a want of vivid individuality perceptible all through. Even Theseus, the great national hero, strikes one as a rather tame sort of personage compared with Perseus, Heracls, and Jason. No Athenian figures prominently in the Iliad; and on the only two occasions when Pindar was employed to commemorate an Athenian victory at the Panhellenic games, he seems unable to associate it with any legendary glories in the past. The circumstances which for a long time made Attic history so barren of incident are the same to which its subsequent importance is due. The relation in which Attica stood to the rest of Greece was somewhat similar to the relation in127 which Tuscany, long afterwards, stood to the rest of Italy. It was the region least disturbed by foreign immigration, and therefore became the seat of a slower but steadier mental development. It was among those to whom war, revolution, colonisation, and commerce brought the most many-sided experience that intellectual activity was most speedily ripened. Literature, art, and science were cultivated with extraordinary success by the Greek cities of Asia Minor, and even in some parts of the old country, before Athens had a single man of genius, except Solon, to boast of. But along with the enjoyment of undisturbed tranquillity, habits of self-government, orderliness, and reasonable reflection were establishing themselves, which finally enabled her to inherit all that her predecessors in the race had accomplished, and to add, what alone they still wanted, the crowning consecration of self-conscious mind. There had, simultaneously, been growing up an intensely patriotic sentiment, due, in part, to the long-continued independence of Attica; in part, also, we may suppose, to the union, at a very early period, of her different townships into a single city. The same causes had, however, also favoured a certain love of comfort, a jovial pleasure-seeking disposition often degenerating into coarse sensuality, a thriftiness, and an inclination to grasp at any source of profit, coupled with extreme credulity where hopes of profit were excited, together forming an element of prose-comedy which mingles strangely with the tragic grandeur of Athens in her imperial age, and emerges into greater prominence after her fall, until it becomes the predominant characteristic of her later days. It is, we may observe, the contrast between these two aspects of Athenian life which gives the plays of Aristophanes their unparalleled comic effect, and it is their very awkward conjunction which makes Euripides so unequal and disappointing a poet. We find, then, that the original Athenian character is marked by reasonable reflection, by patriotism, and by a tendency towards self-seeking128 materialism. Let us take note of these three qualities, for we shall meet with them again in the philosophy of Socrates.
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